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Peter Berg's 'The Mosquito Bowl': Netflix Release Blends War and Football

The new film adapts Buzz Bissinger's novel about a Christmas Eve 1944 match on Guadalcanal, prioritizing visceral combat sequences over character development.

By Luca Harrison ·

Illustration for: Peter Berg's 'The Mosquito Bowl': Netflix Release Blends War and Football
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Peter Berg's new war epic, 'The Mosquito Bowl,' arrived on Netflix on October 29.

The film adapts a 2022 historical novel by journalist Buzz Bissinger. The source material focuses on a football game played by U.S. Marines on Guadalcanal during World War II. The match occurred on Christmas Eve 1944 between the 4th and 29th regiments of the 6th Marine Division. The participants were drafted college athletes who paused their sports careers to serve.

The narrative centers on four Marines: John McLaughry, Tony Butkovich, Dave Schreiner, and Bob Baumann. Nicholas Galitzine plays McLaughry, a Brown University graduate and future coach. Ray Nicholson portrays Butkovich, a Purdue graduate. Tom Francis, a Tony nominee for 'Sunset Blvd.,' appears as Schreiner, a Wisconsin Badgers star. Bill Skarsgard plays Baumann, also from Wisconsin. The script, written by Berg and Mark L. Smith, compresses historical dates to align the four men's timelines.

The production follows the standard arc of military dramas. The characters complete basic training at Parris Island before deploying to the Pacific theater. The battle scenes feature intense visual and auditory design. Director of photography Jacques Jouffret used a desaturated color palette and point-of-view shots. The editing is rapid. A score by the post-rock band Explosions in the Sky accompanies the action with guitar-heavy tracks.

Critics noted that the film prioritizes sensory impact over character depth. The four protagonists are described as physically similar and emotionally reserved. The script offers limited insight into their inner lives. The enemy forces receive minimal development. Specific scenes show Japanese soldiers performing ritual suicide or facing execution by American captors. The main characters frequently use language describing the act of killing the Japanese.

The central football game receives brief screen time relative to the combat sequences. The film builds anticipation for the match but does not develop it into a major plot point. The event serves as a short break from the fighting. The production leans on established tropes of the war genre, echoing the visual style of 'Saving Private Ryan' but with increased intensity.

Berg and Bissinger are cousins. The adaptation of the book into a film appears to have been a planned outcome. The project blends the portrayal of the Greatest Generation with graphic depictions of combat. The film runs through its narrative of duty and sacrifice without extensive reflection on the psychological effects of war on the protagonists.

The release marks another collaboration between Berg and his streaming partner. The film joins his previous works, including 'Lone Survivor' and 'Friday Night Lights.' These projects also drew from Bissinger's earlier writings. 'The Mosquito Bowl' positions itself within a specific lineage of American war cinema that emphasizes brotherhood and physical endurance.

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